A dear friend gifted me an RK Narayan book, an omnibus collection. This was a few weeks, perhaps a couple of months ago. At any point in time I usually have a few unread books, and so, it was only around a week ago that I got around to commencing reading "The Indian Epics Retold" comprising of "The Ramayana", "The Mahabharata", and "Gods, Demons, and Others".
Narayan's prose is simple, free flowing, easy on the mind and, thus, beautiful. I've enjoyed reading his other, more original works - Swami & Friends, Malgudi Days, The Guide, The Painter of Signs, etc. So, taking up the Ramayana was a pleasure. Narayan, in the foreword, states that he has been inspired by the version of the epic written/composed by the 12th century (A.D) Tamil poet Kamban. A brief memory, from my Class X days, when Tamil was my second language, and memorising swathes of verses in (what, then, was) incomprehensible Tamil.... I remember, vividly, the description of the river crossing when Ram, Sita and Lakshman are being ferried by Guha. Among the lines, this stays in memory, when Ram tells Guha that "This lady of the beautiful forehead is as your sister". For the first time, growing up at an age where James Hadley Chase's ladies had long legs, and Perry Mason's Della Street had a curvaceous figure, it seemed unique to focus on a forehead!
Narayan's retelling of Kamba Ramayana has quite a lot more seductive imagery, which I'm not sure would have passed a censor's eye in today's tolerant India. Describing the first moment of their seeing each other, Narayan writes: He stood arrested by her beauty, and she noticed him at the same time. Their eyes met." And, a few moments later, "She lay tossing in her bed complaining, 'You girls have forgotten how to make a soft bed'... They (her maids) found her prattling, 'Shouders of emerald, eyes like lotus petals, who is he? He invaded my heart and has deprived me of all shame! A robber who could ensnare my heart and snatch away my peace of mind!'
A few chapters later, Soorpanaka having described Sita to Ravana, he is already smitten by the imagery that Soorpanaka has wrought. Even before seeing Sita, Ravana has suffered the pangs of Manmata's love arrows. "Every syllable that Soorpanaka uttered gave him both pleasure and pain.... Ravana felt uneasy. he rose abruptly and left the hall, unwilling to let the assembly notice his state of mind.They rained flowers on him and uttered blessings and recited his glory as usual when he strode down the passage.... He ignored his wives, who were awaiting his favours, and passed on to his own private chamber, where he shut the door and flung himself on his luxurious bed. He lay there tossing, unable to rid his mind of the figure conjured up by Soorpanaka's words. It was a total obsession"

And so on, vivid imagery bordering quite on the mushy, romantic and at times mildly erotic. Till the final set of chapters that deal with the actual battle between Rama and Ravana. Ravana using all his might and the special weapons that he possesses, gifts and boons bestowed upon him by the gods themselves... weapons with evocative names such as 'Danda', 'Maya', 'Thama' etc. And, to each of Ravana's special weapons, Rama has an equal, if not superior counter weapon...

It was at this point, suddenly, that I realised I was no longer reading a story, this is not mythology I realised. This is current affairs, history as it is evolving today, in the here and NOW.
Substitute the word "gods" with "USA, Russia, France etc" and in place of Ravana and Rama think of the many warring factions of peoples from Palestine, Lebanon, Syria, Afghanistan, Pakistan, etc - the Mujaheddin, the Taliban, Al Qaeda, Boko Haram, LTTE and what have you. Rakshasas and Asuras who, after bitter penance and strenuous prayers found their gods showering them with favours and who, then, went on a rampage as the gods looked on helplessly while mayhem reigned....

Not for nothing, not without justification is this the age of Kali....




